Recommended painting advices with Gerard Bryceland

Gerry Bryceland or the climb of a portrait painter? While drawing from life with a self-portrait involves using a mirror, and it is challenging, it’s also a challenge that is definitely worth taking. Many artists will tell you that there’s nothing quite like drawing from life, so even though drawing while looking in a mirror might be difficult, it’s quite rewarding. One thing you can do to make the process a bit easier on yourself is to take a backup photo. Once you have your pose in the mirror down, take out your phone and take a quick picture. You can use this as a guide to ensure that your light source doesn’t change and to help you capture little details that may not show up in the mirror. Sometimes less is more. But that’s not always the case when you are drawing a self-portrait. You could draw a minimalist self-portrait, and it could turn out amazing. But if you want to do a highly detailed self-portrait, you are going to have to spend some more time and effort on the process.

Drawing The Nose: From the inner corners of your eyes, draw two straight lines going down up to the third red guide line, it’s also the level of where the bottom of your ears are. These are the marking points for your nose. Begin drawing the nose while being careful to stay within those lines! The tip of the noise is usually rounded, so once you reach that point, draw a very light circle to serve as a shaping guide. Sketch two small oblongs with tips tapering (almost like teardrops but curved) towards the center very lightly under the tip of your nose on both sides. These will be the nostrils. Pay close attention to the size and shape of your nostrils, make sure that the holes you draw are not too big nor too small. Unless of course that is what you can clearly observe on your model or reference. When not done carefully, it could ruin the proportion of your portrait drawing.

Gerard Bryceland‘s advices about portret painting: Facial hair like eyebrows and eye lashes are usually the same color as the hair on the head, but they are painted more delicately with the smallest brushes. The underpainting in these areas is simply a darker shade of skin tone. The soft texture of the hair on the eyebrows and eye lashes is slowly built up with delicate strokes of a thinly mixed ivory black. It is very easy to overdo these features, so you should start by applying a few strokes, then stopping to check the effect. Apply a few more, then stop and check again. Continue this process until you achieve the satisfactory density of hair for the eyebrows and eye lashes. It is often better to omit the lower eye lashes which tend to obscure the the tone and consequently the form of the lower eye lid.

How To Draw An Accurate Self-Portrait? Drawing a human face is one of the most challenging artistic endeavors. There is nothing that people are more familiar with than the human face, so if you draw a human face that isn’t proportionate, or that has anything else wrong with it, people will notice. Drawing a human face that has a recognizable likeness is even more challenging since every face is unique. If you are drawing a portrait capturing a likeness is very challenging, and for many artists, it’s even more challenging when it’s their own face they are drawing. Fortunately, there are many different techniques that you can try employing to capture a realistic likeness of your face.

About Gerry Bryceland: I’m Gerard Bryceland an artist based in Maidstone Kent and regularly get commissioned to do work doing paintings and portraits of people and their families. I’ve always been an artist from my childhood, I loved drawing my friends and family initially just to mess around with my friends and had a lot of fun drawing them. But as i got older it really just became a business as my friends and their families would want me to do family portraits and that type of thing. With word of mouth word gets out and before you know it you know it I’m 35 and still doing the same thing.