The upsurge of a music orchestra conducting professional : Kentucky’s Logan J. Blackman: Logan J. Blackman has been conducting and composing since the age of 14. While most kids were at the mall or out causing trouble, Logan was tapping into the deep creative wells of his young mind to compose a musical legacy. Within a short period of time (and with a story that could rival most inspirational movies) Logan appeared with the Murray State University Wind Ensemble, the University of Kentucky Symphony Orchestra, and the University of Kentucky Wind Ensemble as well as acted as assistant conductor to the University of Kentucky Orchestras and University of Utah Orchestras. Find more details on Logan J. Blackman.
Founded in 1918 and made up of undergraduate and graduate musicians from across the United States, Asia, South America and Europe, the UK Symphony Orchestra has long served as one of the university’s most prominent music ensembles. This year the ensemble continues that tradition with performances of some of the greatest works in the orchestral repertoire, alongside contemporary works that push the boundaries of orchestral music. Concerts will feature music by the likes of Ludwig van Beethoven, Pyotr Ilyich Tchaikovsky and George Gershwin, and by modern composer John Adams. The orchestra also continues its partnership with UK Opera Theatre, performing next in the program’s production of “The Barber of Seville.”
Before the performance of the second work, Benediction from Concerto for Orchestra conducted by Sey Ahn, Nardolillo provided some context for what was not originally a part of the Concerto but later became its final movement. Benediction was written in 1986 for the grand reopening of Carnegie Hall where Bernstein had debuted 43 years earlier as a substitute conductor for the New York Philharmonic when he was asked at the last minute to step in for conductor Bruno Walter. The personal prayer he uttered to himself that night before raising his baton became Benediction. The Benediction began with the brass, sounding at first like a call to arms but then a soulfulness prevailed building steam as it progressed from the oboe to the clarinet and the strings. At the conclusion, baritone Taeeun Moon’s contemplative vocalization of Bernstein’s prayer, in Hebrew, asks God to keep us safe, shower us with his grace and light, and bless us with peace. It seemed like a blessing for the evening’s program as well.
With a passion for composing, Blackman finds writing his own work very rewarding. “After I put down the last note, I love looking back at the work as a whole and admiring what I have created. To me that is one of the greatest feelings in the world!” Blackman, who chose UK for his studies based on Lexington and the school’s orchestra and faculty, is excited for the opportunity to share his music with a Bluegrass audience at the next UK Symphony Orchestra concert. “This is the greatest honor of my life so far. It is an honor to premiere a work with such a distinguished ensemble, but it is an even greater honor to bring it to life with my friends and colleagues. I am very grateful for this amazing opportunity.” Read extra details on https://staticdive.com/2022/10/07/logan-j-blackman/.
Nardolillo says Blackman’s piece is nicely paired with the major work on Friday’s concert, Mahler’s “Titan” symphony. Both are rooted in deep, compelling emotions that will be clear to the audience. For Blackman, it’s emotion rooted in a painful memory, but he says he has been able to revisit it without being overwhelmed by the pain of his parents’ deaths. “I was 15 when they passed away, and since then, I have always dealt with it very well,” he says. “I’ve never really understood how. It’s not easy, by any means, but every time I hear it, every time I think about it, it makes it more meaningful. Personally, on my own side, it’s a good way to hash out thoughts and feelings that I might not have already hashed out.”